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Karl Friedrich Schinkel,"Der Brand von Moskau, 1812/1813"

Karl Friedrich Schinkel

762 571 Lines & Marks

``First delight, then instruct.``

Karl Friedrich Schinkel,”Allegorie auf Beuth, den Pegasus reitend,” 1837. Watercolor. 37,4 x 35,9 cm

Karl Friedrich Schinkel (13 March 1781 – 9 October 1841) was a Prussian architect, city planner, and painter who also designed furniture and stage sets. Schinkel was one of the most prominent architects of Germany and designed both neoclassical and neogothic buildings. Schinkel’s style, in his most productive period, is defined by a turn to Greek rather than Imperial Roman architecture, an attempt to turn away from the style that was linked to the recent French occupiers. (Thus, he is a noted proponent of the Greek Revival.) His most famous extant buildings are found in and around Berlin. (wiki)

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``use the best possible materials and reveal the qualities of those materials and the craftmanship of their assembly.``

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Later, Schinkel moved away from classicism altogether, embracing the Neo-Gothic in his Friedrichswerder Church (1824–1831). Schinkel’s Bauakademie (1832–1836), his most innovative building, eschewed historicist conventions and seemed to point the way to a clean-lined “modernist” architecture that would become prominent in Germany only toward the beginning of the 20th century. (wiki)

 Karl Friederich Schinkel, “The Gate in the Rocks,” 1818. Oil on canvas. 29.1 x 18.9 in
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